Moana, the new Polynesian-princess animated feature from Disney, is like a less on-the-nose version of Interstellar, the 2014 Christopher Nolan science-fiction epic set on a dying Earth that has cravenly given up on space exploration.
Nolan’s characters complain overtly that humanity has lost its urge to settle new worlds (an implicit criticism of the smallness of current identity politics). But in Moana, Disney’s veteran directing team of Ron Clements and John Musker more artfully turn to the astonishing history of Polynesian settlement of the vast Pacific as an optimistic metaphor suggesting that humanity’s current stagnation in space won’t endure.
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