I’ve now spent more than fifteen years researching the Jewish Question and the impact of Jewish influence on the West. During that time I’ve encountered and documented a number of Jews who almost single-handedly encapsulate and characterize the Jewish modus operandi, as well as the hatred that organized Jewry has for our people and our way of life. In the case of cretins like Abraham Foxman and the aesthetically repulsive Hebrews of the Southern Poverty Law Center, the existence of such people is obvious. In other cases, similarly hateful Jews are acting with equal violence against our people and culture, but are doing so in a less obvious manner. Examples are countless, but I’m thinking in particular of individuals like Jonathan Freedland, Anthony Julius, Robert Wistrich, Norman Lebrecht and the academics behind the ‘Whiteness Studies’ hate genre. I have to confess that as much as I have an abiding feeling of enmity toward all of these individuals and their insidious works, I possess a singular ferocity of loathing for Columbia University’s Simon Schama. Schama, as I will presently discuss, is a walking, talking, mincing, gesticulating caricature who, in thought and deed, may as well have crawled from the lurid pages of the Protocols of the Elders of Zion. What follows is a case study in Jewish political, academic, and cultural activism.
Schama was born in Marylebone, London. His mother, Gertie (née Steinberg), was from a Lithuanian Ashkenazi Jewish family, and his father, Arthur Schama, was of Sephardi Jewish background. Arthur was a textile merchant who, like many of his co-ethnics, favored risky business practices and flirted with bankruptcy on more than one occasion. In the mid-1940s, following one such bankruptcy, the family moved to Southend-on-Sea in Essex before moving back to the heavily-Jewish area of Golders Green in London. There the young Simon rubbed shoulders with the Saatchi brothers, the future mega-promoters of a vast array of degenerate art — a passion that Schama himself would later indulge in. ...
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